It was such a remarkable and fulfilling experience to work on the background score for the play “The Princess Who Forgot to Laugh” at St. Kabir Public School, Chandigarh.
This project was so much more than just composing — it was about listening, experimenting, and co-creating. From live recordings, sampling, and editing, to crafting multiple layers for both the vocal and dance departments, every step brought new sounds and smiles.
The play — an Indian adaptation of a Norwegian story by the same name — carried a beautiful mix of ethnic textures and playful tones. We brought in sounds like matka, dhol, kanjira, and even synthesized layers blending organic and digital samples.
A lot of sounds — from guitar and keyboard textures to giggles, chimes, and spontaneous sound elements — were recorded live during the sessions, which added so much life and authenticity to the final mix. Every take captured a small moment of joy, helping the score feel as alive as the story itself.
One of the most exciting parts was live-syncing the score with rehearsals. We’d experiment with transitions, tweak tempos, and evolve ideas together — watching the music grow in rhythm with the narrative. Those light-hearted conversations, laughs, and bursts of creativity made the process truly unforgettable.
Handling everything from pre-production to recording, layering, composition and live syncing was a rich learning experience that deepened my love for sound and storytelling.
Heartfelt thanks to Deeptha Vivekanand, the director of the show, for her trust, vision, and continued belief in me. Collaborating with her and the wonderful team was pure joy.
Feeling grateful for this journey — and excited to take on more projects that blend music, theatre, and creative storytelling. If you’re working on something where sound can bring the narrative alive, I’d love to connect and co-create. 🌿